Archives for the month of: February, 2002

Bits and pieces of my life for this morning

I saw The Royal Tenenbaums last night. What a terrific movie! A little stylistically reminiscent of Amélie. Gene Hackman is phenomenal in the film and really deserved an Oscar nod for it (don’t get me started on the Oscars… grr). It’s a little tough to find now, but catch this if you can.

Martial arts on Monday was great (even though some slackers were not there)! It was my third time boxing (now that I have the gloves) and I’m still getting used to it. I spent most of the time letting Pat hit me in order to condition my body to react to a punch. It also reinforced my decision that I just don’t like being hit. But Coach came up to me after class and complimented me on my movement (really Sifu deserves the compliment, it took five years of his hard work to get me that mobile). That felt really good. Then Kung Fu was great as well. We sparred for most of the night and I threw every move that I had and made a few up on the fly. :-) I got a couple compliments on that. And that positive reinforcement rocks!

mmm mixed nuts are good!

And finally I bring you vintage porn from inside the inside of Kodak Tower. I took this picture of a old photo on one of the support poles on Monday while fixing the birdcams. Mmmm… old school skin. Enjoy….

I have to say that right now is a great time to be a comic book fan. We’re in the midst of a creative renaissance where writing and art are quickly coming into balance. Lemme explain… I became addicted to paper crack in high school. At that time, the early 90s, all that mattered was the art: Artists dominated the industry (and tended to have monster egos). I even harbored dreams of getting into the biz (which lead to a great story and the worst interview of my life… I’ll share that story some day).

By the time I got into college comics started to loose their appeal. There were three main reasons:

  1. Alan Moore’s Watchmen started the process of ruining comics for me. On first read the art, provided by Dave Gibbons, wasn’t up the to “level” that I was used to (in retrospect I think it’s one of the best illustrated books ever). But the story blew my mind. It deconstructed every storytelling device I was used to and steamrolled all the industry stereotypes I knew. Watchmen was the first legitimate piece of graphic literature I read. (side note: To this day think that it’s sustentative enough to use in a high school or college English class. If you don’t think comics can transcend into literature, this is a must read). This discovery led me to the realization that:
  2. The majority of comic books were soap operas for boys (and poorly written ones at that). After Watchmen I realized that 99% of the famous artists who were writing books couldn’t script their way out of a paper bag (most of the writers couldn’t either). Comics might have been beautiful on the surface but few had any substance. I also was starting to get a little skeezed out by the portrayal of women in the books. Finally,
  3. My habit was bankrupting me. I was a po college student and could no longer afford a $40 a month habit.

So I stopped collecting (except for the odd one here or there). During my “down time” the industry went through a revolution. The bottom dropped out of the collecting for profit side of the industry (the weirdoes who think they can make millions on a polybagged, variant cover, signed issue #1). And the writing was getting staler and staler (the same plots and gimmicks rehashed time and time again).

But change was starting too. DC (home of Batman, Superman and others) began publishing alternative titles like The Sandman that explored new storytelling territory. New publishing technologies (like the internet and affordable low run printing) have allowed smaller companies and individuals to publish outside of the major Labels (Marvel and DC). That in turn has caused the larger companies to embrace indy creators and in turn improve their material. Suddenly writing was as, if not more important than art. All of that has led to a real strain on my budget as books are now worth buying again. Which leads me to this weekend. I made my weekly crack run to the comic store around the corner from me and made a discovery:

I bought Blue Monday: The Lovecats by Chynna Clugston-Major (published by Oni Press) on a whim. Chynna’s work, with its smooth anime style, caught my eye when featured in a Mavel book a few months ago. That, plus a Cure inspired title, was enough to make flip through the book in the shop. By the third page I was sold! The series take place in a small town high school in what seems to be the late 80/early 90’s. Chynna, who also writes the book, really captures the high school experience: fluid visuals, the right mix of angst and excitement, great dialog and the integration of music of the time (the Cure, the Kinks, Social Distortion are amoung the bands whose music factors heavily into the story). Plus, nary a person in spandex to be seen.

I know most folks reading this blog are not into comics, but if you’ve ever wanted to see what the medium is capable when you don’t have heros/gods/metabeings beating the crap outta each other check out this book.

in other news

New MP3 to your left. Last week’s, A Letter Elise (Unplugged), is still available as a link.

I’m making another trek to the top of Kodak Tower today to work on Birdcam. Thankfully I don’t think I’ll have to go outside (as its cold and snowy). The work out inventorying kodak.com continues. Hopefully we’ll make the deadline.

Rehearsals went just about as well as I could expect last night. I’ll be leaving work early today to negotiate for the playing space. So by tonight we should have a theatre. Then the real work starts. T minus a months and a half.

Finally, I don’t know about you, but this kinda scares me. Every day I see more in more value is the teaching of philosophy and ethics in college. There really needs to be more open debate on things like artificial wombs.

one outta two’s not bad

Last night, Don (my theatre co-conspirator) and I took in our second play of the weekend. Beth Henley’s Crimes of the Heart was staged by Wild Wimmin ETCetera Theatre Company, a local community group focused on women’s theatre (what ever the hell that means). Ugg… it could best described as an “after school special” play. Three southern sisters overcome their troubles and grow stronger. Of course each has a life problem worthy of a “very special” Lifetime movie (whose titles would start “Not without my *insert noun here*). Plus the Southern accents threw most of the cast. Lot of flubbed lines.

Now that we’ve just about set a date for the plays that I’m working on I’m starting to get concerned about their quality. Especially since I’m directing them. I just want to make sure that we’re offering the best product possible (better than what I saw last night). I’m pretty sure that we can, but I wish we were further along. We have a rehearsal tonight so I’ll have a better idea about the condition of things after that.

Actually, I’d sorta have to agree with this one (out of all the choices). I always dug Indy…


Which Action Star Are You? Find out @ She’s Crafty

ohh, about that new look…

For those of you who remember way back when I put out a call late last year for potential new looks for me. As promised I carefully reviewed all of them and then reinvented myself. So without further adu, for those of you who don’t live in Rochester, here is the stunning tranformation:

Now I’m sure you’re thinking the same thing everyone in Rochester has been:

what’s different?

Well first of all the glasses. Second of all the pose, the places the pictures were taken, the clothes, and… umm… *sigh* not much else. So what happened you ask. I was really planning on changing my hair. But when the hairdresser said she thought I looked good with long bangs I lost my nerve. Actually the hair does look much better. And since the cut Jenny had a talk with my hairdresser (who also does her hair) and I’ve been told that the next time I go in things will be different. I’ll keep you all updated.

in other news…

I finally saw something good at Geva, our local pro theatre. They are performing Richard Dresser’s Below the Belt, a great absurdist look at Corporate Life. The acting, blocking, sets and presentation were great. The play is good, though I think the second act is kinda weak and the end is a cop-out.

What I don’t understand is why Geva is charging $25 for the show. The tickets are way to expensive for a project that is supposed to get younger types interested in attending the theatre. You can get rush tickets to their mainstage productions for far less. The neXtstage (were we saw the production) is supposed to be the “hip, young, edgy” theatre. That being said the plays they choose are tame (and typically boring) and the average age of the audience was 50 at best. They don’t seem to have the guts or the wherewithal to stage any stuff by famous playwrights whose work they wouldn’t put up on their main stage due to content. Sigh… ok, I covet their resources and facilities. We (being the Exact) could just do a better job with running it (or at least in my twisted mind I think we could).